The Ultimate Weird Tales Collection - 133 stories - Clark Ashton Smith (Trilogus Classics) Read online

  Table of Contents

  Title Page

  Publication Page

  A Copy of Burns

  A Good Embalmer

  A Night in Malnéant

  A Platonic Entanglement

  A Rendezvous in Averoigne

  A Star-Change

  A Vintage from Atlantis

  A Voyage to Sfanomoë

  An Adventure in Futurity

  An Offering to the Moon

  Checkmate

  Double Cosmos

  Fakhreddin

  Genius Loci

  Marooned in Andromeda

  Master of the Asteroid

  Monsters in the Night

  Morthylla

  Mother of Toads

  Murder in the Fourth Dimension

  Necromancy in Naat

  Nemesis of the Unfinished

  Phoenix

  Prince Alcorez and the Magician

  Prince Alcouz and the Magician

  Puthuum

  Quest of the Gazolba

  Sadastor

  Schizoid Creator

  Seedling of Mars

  Something New

  Strange Shadows, or I Am Your Shadow

  Symposium of the Gorgon

  The Abominations of Yondo

  The Beast of Averoigne

  The Bronze Image

  The Chain of Aforgomon

  The Charnel God

  The City of the Singing Flame

  The Colossus of Ylourgne

  The Coming of the White Worm

  The Dark Age

  The Dark Eidolon

  The Dart of Rasasfa

  The Death of Ilalotha

  The Death of Malygris

  The Demon of the Flower

  The Devotee of Evil

  The Dimension of Chance

  The Disinterment of Venus

  The Door to Saturn

  The Double Shadow

  The Emir's Captive

  The Empire of the Necromancers

  The Enchantress of Sylaire

  The End of the Story

  The Epiphany of Death

  The Eternal World

  The Expert Lover

  The Flirt

  The Flower-Women

  The Fulfilled Prophecy

  The Garden of Adompha

  The Ghost of Mohammed Din

  The Ghoul

  The Gorgon

  The Great God Awto

  The Haunted Chamber

  The Haunted Gong

  The Holiness of Azédarac

  The Hunters from Beyond

  The Ice-Demon

  The Immeasurable Horror

  The Immortals of Mercury

  The Invisible City

  The Isle of the Torturers

  The Justice of the Elephant

  The Kiss of Zoraida

  The Last Hieroglyph

  The Last Incantation

  The Letter from Mohaun Los

  The Light from Beyond

  The Light from the Pole

  The Mahout

  The Maker of Gargoyles

  The Malay Krise

  The Mandrakes

  The Master of the Crabs

  The Maze of Maâl Dweb

  The Maze of the Enchanter

  The Metamorphosis of Earth

  The Monster of the Prophecy

  The Nameless Offspring

  The Necromantic Tale

  The Ninth Skeleton

  The Parrot

  The Perfect Woman

  The Phantoms of the Fire

  The Planet of the Dead

  The Plutonian Drug

  The Primal City

  The Raja and the Tiger

  The Resurrection of the Rattlesnake

  The Return of the Sorcerer

  The Root of Ampoi

  The Satyr

  The Second interment

  The Seed from the Sepulchre

  The Seven Geases

  The Shah's Messenger

  The Stairs in the Crypt

  The Supernumerary Corpse

  The Tale of Satampra Zeiros

  The Tale of Sir John Maundeville

  The Testament of Athammaus

  The Theft of the Thirty-Nine Girdles

  The Tomb-Spawn

  The Treader of the Dust

  The Uncharted Isle

  The Vaults of Yoh-Vombis (Abridged)

  The Venus of Azombeii

  The Voyage of King Euvoran

  The Weaver in the Vault

  The Weird of Avoosl Wuthoqquan

  The White Sybil

  The Willow Landscape

  The Witchcraft of Ulua

  Thirteen Phantasms

  Told in the Desert

  Ubbo-Sathla

  Vulthoom

  Xeethra

  T H E

  U L T I M A T E

  W E I R D T A L E S

  C O L L E C T I O N

  Clark Ashton Smith

  TRILOGUS BOOKS

  www.trilogus.com

  The Ultimate Weird Tales Collection: Clark Ashton Smith

  Written by Clark Ashton Smith

  Published by Trilogus Media Group

  All rights reserved. Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise) without the prior written permission of both the copyright owner and the above publisher of this book.

  This is a work of fiction. Names, characters, places, brands, media, and incidents are either the product of the author's imagination or are used fictitiously. The author acknowledges the trademarked status and trademark owners of various products referenced in this work of fiction, which have been used without permission. The publication/use of these trademarks is not authorized, associated with, or sponsored by the trademark owners.

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  A COPY OF BURNS

  Andrew McGregor and his nephew, John Malcolm, were precisely alike, except for one particular. Both were unmistakably Scottish, to an extent that was almost caricatural; both were lean-faced and close-lipped, and ropy of figure; both were thrifty to the point of penuriousness; and both loved with a dour love the rugged soil of their neighboring hillside ranches in E1 Dorado. The difference lay in this, that McGregor, a native of Ayrshire, was fantastically enamored of the poetry of Burns, whom he quoted on all possible occasions, regardless of whether or not the verse was appropriate. But young Malcolm, who was Californian by birth, had a secret disdain for anything in rhyme or meter, and looked upon his uncle's literary enthusiasm as an odd weakness in a nature otherwise sound and admirable. This opinion, however, he had always been careful to conceal from the old man; though his reasons for concealing it were not altogether those of respect for an elder and affection for a relative.

  McGregor was not close upon eighty; and a lifetime of rigorous toil had bowed his back and consumed his vitality. In the space of a few months, his health had broken, a
nd he was now quite feeble. It was generally thought that he would leave his well-kept orchard, as well as a tidy deposit in the Placerville bank, to John Malcolm, the son of his sister Elizabeth, rather than to his own sons, George and Joseph, who had tired of country labor years before and were now prospering after their own fashion in Sacramento. Young Malcolm, certainly, was deserving; and the ranch left him by his parents was of poorer soil than McGregor's, and had never yielded more than a scant living, despite the industry of its owners.

  One day, McGregor sent for his nephew. The young man found the eider sitting in an arm-chair before the fire-place, pitiably weak; and his fingers trembled helplessly as they turned the worn pages of the copy of Burns he was holding. His voice was a thin, rasping whisper.

  "My time is about come, John," he said, "but I want to gie yea gift with my own hand before I jany. Take this copy of Burns. I recommend that ye peruse it diligent-like."

  Malcolm, a little surprised, accepted the gift with proper thanks and with all due expressions of solicitude regarding his uncle's health. He took the volume home, placed it on a shelf which contained an almanac, a Bible, and two mail-order catalogues; and forgot all about it henceforward.

  A week later, Andrew McGregor died. After he had been interred in the ^Placerville^ [Georgetown] cemetery, a search was made for his will. It was never found; and in due course of time, his sons laid claim to the property. Afterwards, they sold the ranch, not caring to keep it themselves.

  John Malcolm swallowed his disappointment in a dour silence, and went on plowing his rocky slope of grape-vines and pear-trees. He saved a little money, purchased a little more property, and eventually found himself in a position of tolerable comfort, which however could be maintained only at the cost of incessant work. He married; and one daughter was born to him. He named her after his aunt Elizabeth, of whom he had been fond. Twenty years later, the long hours of back-breaking toil, plus an addiction to El Dorado moonshine, had finally done their work. Prematurely worn out at fifty, John Malcolm lay dying. Double pneumonia had set in; and the doctor made no pretense of hopefulness.

  Malcolm's wife and daughter sat at his bedside. Usually a silent man, delirium had now loosened his tongue, and he babbled for hours at a time. Mostly, he talked of the money and property he had once hoped to inherit from Andrew McGregor; and regret for its loss was mingled with reproaches toward his uncle. The lost will had been forgotten by everyone else long ago; and no one had dreamt that he had cared so much, or borne the matter so much in mind all these years.

  His wife and daughter were shocked by his babbling. In an effort to preoccupy her mind, the gift Elizabeth took from the shelf the copy of Burns which McGregor had once presented to his nephew, and began to turn the sheets. She read a poem here and a stanza there; and with a mechanical feverishness her fingers contrived to flick the pages. Suddenly she came upon a thin sheet of writing-paper, which had been cut to the exact size of the book and had been pasted in so unobtrusively that no one could have detected its presence without opening the volume at the right place. On this sheet, in faded ink, was written the last will and testament of Andrew McGregor, in which he had left all his property to John Malcolm.

  Silently the girl showed the will to her mother. As the two bent over the yellowed sheet, the dying man ceased to babble.

  "What's that?" he said, peering toward the woman. Evidently, he was now aware of his surroundings, and had become rational again. Elizabeth went over to the bed and told him how she had found the will. He made no comment whatever, but his face went ashen and lifeless, with a look of bleak despair. He did not speak again. He died within thirty minutes. It is probable that his death was hastened several hours by the shock.

  A GOOD EMBALMER

  I

  Jonas Turple and Caleb Udley, joint owners of the sole undertaking establishment in Johnsville, were continuing an immemorial dispute.

  "You couldn't embalm a salted herring," said Turple, with the air of jocose and rubicund contempt which he usually adopted in referring to his partner's technical abilities and methods. "Look at the job you did on old Aaron Webley, five years ago, when I was away ^at the embalmers' convention^ [on my honeymoon]. Of course no one would have been the wiser if the family hadn't decided to transfer him to their home lot in ^Georgetown, ten months after^ [Johnstown]. The condition of the corpse wasn't much of an advertisement for us. I believe in doing a thorough job, one that will endure and stand up under all vicissitudes. And I tell you, there's nothing like corrosive sublimate, and plenty of it. You can have your Peruvian bark, your camphor and cinnamon and other aromatics, and your sulphate of zinc; but all this stuff is mere trimming if you ask me."

  Turple, a large, florid, middle-aged bachelor, who looked more like a restaurant owner than a mortician, terminated his remarks with a resonant sniff and eyed his confrere with semi-jovial belligerence.

  "Sulphate of zinc is good enough for me," maintained Caleb Udley, with much acerbity. He was a thin, meager, deacon-like person, alternately bullied by his wife and his business partner. He was, however, more recalcitrant toward the latter than toward the former, and rarely made an attempt to uphold his own views.

  "Well, you'll never shoot any of it into me," said Turple. "You'd make a mess of it anyway. I'd certainly hate to be at your mercy and have you try to embalm me, if I were dead."

  "Even at that, there are times when I wouldn't mind having the chance," returned Udley, with a tart malice.

  "The hell you say. Look here, Caleb, if I should die before you do, and you start your blundering operations on me, I'll simple rise up from the dead."

  "But the dead don't rise," said Udley, who was not only something of a Sadducean, but was also rather literal-minded.

  II

  It is not the function of this story to record in detail, or even in rough outline, the lives of two country undertakers.

  For many years after the discussion related above, Turple and Udley pursued the somewhat funereal tenor of their ways. In the face of their perennial disputation, half-humorous, half-contemptuous on one side and wholly acrimonious on the other, it would have been difficult to determine the exact degree of brotherly love which existed between them. Turple continued to deride his confrere's professional capacities and opinions; and Udley never failed to resent the derision. With slight variations, their quotidian quarrel was repeated a thousand times.

  The situation was modified only by the admission of a third and younger partner, one Thomas Agdale, into the firm. Agdale, who was comparatively inexperienced, and was also mild-tempered, became the butt of both his seniors; and, in especial, of Udley, who thus succeeded in transferring to another victim some of the scorn and contumely which he himself endured at the hands of Turple.

  Even undertakers, however, are not exempt from the common laws of mortality. Turple, who had long shown an apoplectic tendency, but nevertheless had not expected a so sudden and early demise, was found dead one morning in the local hotel-room which he had occupied for more than twenty years. His partners, as was natural, were deeply shocked and surprised by the news; but, since he had omitted to leave any instructions to the contrary, they proceeded to take charge of his body with all due expedition.

  The feelings of Udley, when Turple's corpse was laid out before him on the embalming-table, were somewhat peculiar and difficult to analyze. How much of real regret or sorrow they included, I am not prepared to say: but, undeniably, there was a more or less furtive undercurrent of actual triumphancy, of self-vindication if not of vindictiveness. After all of Turple's manifold and life-long aspersions on his capabilities as an embalmer, Udley was now in a position to render the last services to his vilifier. It would not be proper to say that he rejoiced in this situation; but certainly his emotions were those of a wronged man who beholds the final balancing of the scales of justice.